The first step of the installation was to create a simplified, yet easily recognizable deconstructed camera. I did this by using the schematic of an old Nikon camera, and picking out the most recognizable parts. I then modeled these parts in Cinema 4D, paying special attention to scale and the integrity of the models to prepare them for 3D printing.
After each piece was modeled, the next step of my process was to 3D print them. I made use of a Makerbot Replicator 2 printer to fabricate each piece. The main challenge in printing was ensuring that there were no major flaws during the 6-8 hour print process.
Each piece was printed with violet PLA filament, since that was the most readily-available material. As such, they needed to be painted to match the color scheme of the rest of the museum. My team used spray paint for the base coat, and I detailed the smaller edges and corners with acrylic paint.
After the pieces were painted and printed, my team and I suspended them from the ceiling with hooks. At first, we used fishing wire to estimate the height and spacing of the pieces. Afterwards, we replaced them with thin black threads, to enhance the illusion of the installation floating in midair.
